Creative industries are increasingly becoming a timely potential for the development of the humanitarian sector of the economy. However, in the Russian Federation, despite the high level of education, scientific development and rich historical and cultural heritage, the share of creative industries in the country's economy is only 2.23 percent.

The opportunities of creative industries in the culture of everyday life, the education of students is increasingly attracting future specialists with project training, a variety of cultural and creative practices, social projects and modern technologies, educational trajectories of professional development.

Key words: concept of the development of creative (creative) industries, development trends, tasks and principles of the development of creative (creative) industries; creative industries for urban development, educational and professional and creative development, creative industries of education, project training, culture of everyday life of students, cultural products, social projects.

 

The topic is relevant because cultural heritage, including the dance culture of many peoples, is facing the threat of extinction as globalization processes become more intense. Especially vulnerable is the traditional cultural heritage of small indigenous peoples of the North. Currently, the loss of traditional features of ethnic culture can be traced, ethnic codes are leveled, essential elements of traditional culture are transformed. 

The relevance of this topic is also associated with the fact that conceptual approaches to the study of the problems of interaction and mutual influence of traditional culture and modern stage art are still not fully developed. 

 The article deals with the innovations introduced in the choreographic performance “Sitim” of the National Dance Theater of the Republic of Sakha (Yakutia) named after S.A. Zverev–Kyyl Uola. 

The issues of innovation in the language of ethnic dance are insufficiently studied and developed in art history. The mechanisms of introducing cultural codes, meanings, ideas into the stage forms of modern theater have not been developed. The inclusion of ethnic codes in modern stage art will enrich it with new meanings. We analyze the segmentation of ethnic codes into the structure of the performance and develop conceptual approaches to stage interpretation. 

Key words: traditions, culture, preservation, innovations, spectacle, choreography, folklore, dance, image, idea, notions, dance lexicon, code, interpretation.

 

A crisis of representation in culture is a situation where traditional ways of representing and interpreting cultural phenomena become insufficient or inadequate. This affects the development of culture as a whole, limiting the diversity of creative voices and perspectives, which leads to an impoverishment of the cultural landscape and a decrease in the potential for innovation and the development of new forms of cultural expression. The article shows that the crisis of representation in culture is a symptom of profound transformations affecting the foundations of cultural self-knowledge and self-expression of society. This indicates that in order to overcome the crisis of representation, systemic changes are needed at all levels, taking into account both technological and socio-cultural aspects of modern society. This is a long-term process that requires constant rethinking and adaptation of strategies in accordance with the changing conditions of the cultural environment.

Key words: culture, crisis, crisis of representation, environment, society, process, mass media.

 

Central Asia, as the core area of the ancient Silk Road, has always been a melting pot of multi-ethnic and multicultural integration. Through comparative analysis, this study reveals the similarities and differences between two proverbs. Research has found that although both Uyghur and Uzbek belong to the Altaic language family, the expression of proverbs varies due to cultural backgrounds, lifestyle habits, geographical locations, natural environments, and ways of thinking. Uyghur proverbs are known for their stability, completeness, thoughtfulness, and musicality, while Uzbek proverbs are characterized by their distinct colloquialism, simple and concise sentence structures, and rhythmic features. Proverbs of both languages extensively use rhetorical devices such as metaphor, exaggeration, and metonymy to enhance their expressive effect, but in terms of specific expression, vocabulary selection, and emphasized values, they each demonstrate unique cultural characteristics and language habits. The conclusion of this study emphasizes the important position of proverbs in Central Asian folk literature, as well as their irreplaceable role in maintaining and developing cultural diversity in Central Asia, promoting cultural exchange and understanding within and outside the region.

Key words: Uyghur proverbs, Central Asia region, Uzbek proverbs, Rhetorical devices, Folk literature.

 

The article is devoted to the study of military symbols as a tool of political influence in the context of modern information wars. The mechanisms of the impact of military symbols on public consciousness and the formation of political narratives through visual and auditory artifacts, rituals and sign systems are analyzed. Semantic transformations of symbols, their use in election campaigns and mass protests, as well as methods of manipulating citizens' opinion under the influence of military symbols are considered. Special attention is paid to the cultural code embedded in visual images and the analysis of the functions of military symbols, including mobilization, identification and propaganda. 

Key words: military symbols, political influence, information wars, visual communications, manipulation, collective identity, propaganda.

 

60 years after the publication of the last major work by M. Griaule and J. Dieterlen on the culture of the African Dogon tribe in the publication of the French Institute of Ethnology, the works of these scientists remain practically the only source of information on the subject. At the same time, the Dogon cosmogony, apparently, has not been studied in detail in its connection with the ideas of the ancestor peoples of modern civilization: ancient Sumerians, Egyptians, Chinese, Indians, peoples of Central America, although upon closer examination the connection is so strong that it can hardly be considered a mere coincidence. Dogon cosmogony goes back to the most ancient layers of Egyptian culture (Ogdoad), the concept of a dying and resurrecting god (Osiris, Dumuzi, Attis, etc.), understanding of water as the primary substance in which life originated, as well as the ubiquitous story of the “reptilian ancestors” of humanity. A special place is occupied by the idea of 64 principles of the structure of human civilization, which has signs of kinship with the ancient Chinese system of hexagrams I-Ching and the Mesopotamian concept of Me. The obvious parallels discovered in cosmogonic concepts, down to small details, challenge modern researchers in the field of cultural studies, history, ethnology and other fields.

Key words: Dogon, cosmogony, reptilian deities, primary waters, sacrifice, hermaphrodite, circumcision, Nommo, Apkallu, Ogdoad.

 

The article is devoted to the modern development of Chinese plastic art under the influence of the Russian avant-garde, especially the ideas of constructivism by Vladimir Tatlin. The movement took place in the context of an incessant search for new forms, implying the oblivion of all "old", the rejection of "art for art's sake", demonstrating the great importance of constructivism as a driving force of social change under the slogan - "From now on, art had to serve production." This study is relevant because this topic is poorly represented in Russian cultural studies, as the results of the author's theoretical and analytical research are presented. The Chinese sculptor Zheng Ke was close to the innovative ideas of Vladimir Tatlin. Exploring the work of the Chinese artist, the author of the article finds some similarities in their life path, full of numerous experiments and projects. The author claims that it was the creative project Tatlin Tower, featuring a moving structure with a telegraph and a printing press, that became a powerful impetus for creating a large number of fantastic projects that reflected a synthetic understanding of the art of sculpture. Tatlin put forward the concept of "architectural sculpture" that transcended the boundaries between architecture and sculpture, which influenced the creation of a new direction in the development of sculpture art around the world, including in the work of Chinese masters. In conclusion, the author emphasizes that Zheng Ke's creative work and teaching activities, in turn, had a strong impact on the training of young sculptors and designers in China, whose visual analysis of works will be presented in the next article. 

Key words: Russia, China, Vladimir Yevseyevich Tatlin, Russian avant-garde, constructivism, Zheng Ke, modern sculpture, design.

 

The material is a study of strengthening the atmosphere of involvement by means of quest technologies. The author evaluates the possibilities of achieving a positive result by forming motivation for cooperation due to the implementation of the quest algorithm. The work presents the results of testing practical experience. The effectiveness and feasibility of the study are considered in the text of the publication. As part of the analysis, the author identifies quest technologies as a separate form of creative activity of the metamodern era.

Key words: research, testing, quest, team building, atmosphere of involvement, metamodern.

 

For researchers to study the problem of preserving cultural and natural sites. After the end of the Great Patriotic War, the number one problem was the restoration of the destroyed economy and, consequently, the issue of preserving cultural and natural heritage sites became an urgent problem for museums. The educational and educational activities of Russian museums, including Crimean museums, aimed at improving the cultural development of the population, increases the chances of a museum object being preserved and making full use of its opportunities for museum activities. The preservation of cultural heritage objects forms a responsible attitude towards historical and cultural heritage. In the modern world, the problem of preserving cultural and natural heritage is of particular importance, as it affects all spheres of life.

Key words: concept of "place of memory", Fr. Lieu de memoir/eng, place of memory, P. Nora, commemoration, cultural heritage, social institution.

 

The psychological analysis of painting is mainly based on the theories of psychological projection and brain division of labor function. The psychological technique of painting is simple and easy to implement, which helps individuals eliminate their defenses. The paper introduces examples of the application of painting psychological analysis techniques in college students' psychological health education, including individual counseling, psychological surveys, and psychological health education courses. Methods: This study uses the House-Tree-Person technique (HTP), a painting psychological analysis technique applied in teaching, and uses the analysis techniques of emotional "wavy lines", interpersonal relationship "cross lines", and self-portrait analysis. Meaning: Painting psychological analysis can reflect the inner state and personality traits of the painter. Using painting to carry out psychological health education can analyze the psychological state and personality traits of visitors from a projection perspective. Painting is not limited by language and expression, which can reduce visitors' resistance. The way of painting can stimulate visitors' enthusiasm for participating in activities, and painting is conducive to emotional expression and release, enhancing the effectiveness and personalized guidance of psychological health education. The application of painting psychoanalysis in college students' psychological health education is an exploration and innovation in both content and form. Conclusion: The application of painting psychological analysis techniques has a positive promoting effect on psychological health education practice. In individual counseling, it is possible to identify negative emotional characteristics and analyze personality traits. Through HTP, students' psychological states can be further understood, which has a supplementary effect on psychological surveys. In psychological crisis intervention, the painting psychological test evaluates students' negative emotions and psychological states, discovers the characteristics of negative emotions and suicide risk factors in students' paintings, and compensates for the high surface validity of paper and pencil tests and the lack of participants' disguised answers.

Key words: painting psychology, Art therapy, Psychological health education, HTP.

 

The article examines the mythological aspects of the image of the road in Russian folk tales, analyzing its semantic structure and archetypal functions. Cultural codes and mental archetypes reflecting the national worldview through the prism of mythopoetics are considered. The road is interpreted as a symbol of the hero's life path and initiation, as well as as a mediator between different ontological realities. The main attention is paid to the functional analysis of the archetype of the "road" using literary and cultural methods, which allows us to identify the relationship between fairy-tale plots and mythological concepts. The results of the study emphasize the importance of the image of the road in the formation of ethnic identity and national identity.

Key words: road, mythology, Russian folk tales, archetype, initiation, cultural code, mythopoetics, folk worldview.

 

The article considers ornament as an object of research – an ancient example of artistic culture and decorative and applied art of the South Vietnamese period in the context of the mutual influence of many cultures of East Asia in ancient times. Thanks to the analysis of decorative patterns on archaeological finds of excavated cultural relics in the tomb of the king of South Vietnam and the ruins of the palace complex, the political, economic, cultural, hierarchical system and other factors are revealed to us, as well as the unique artistic value of this period of Chinese history is demonstrated. The article examines the semantics of ornament as an artistic code in the context of a clash of multiple cultures, with the aim of preserving the Chinese cultural heritage through its introduction into the practice of modern design. 

Key words: South Vietnam, traditional culture, decorative pattern, decorative and applied art, ornament, multiculturalism, historical code.

 

The article attempts to study the mechanisms of legal regulation of the situation of national and ethnic minorities in the period between the end of the First World War and the establishment of the League of Nations. The key stages in the development of international law in this area are analysed, starting with the decisions of the Paris Peace Conference of 1919, which laid the foundations for the establishment of a system of minority rights protection. Particular attention is paid to the mandates of the League of Nations and the various treaties and agreements concluded under the Versailles-Washington system. The successes and failures of these mechanisms, their impact on the situation of minorities in the interwar period, and the reasons why the system of minority rights protection was not effective enough are examined. Finally, conclusions are drawn on the significance of this historical experience for contemporary international minority law and policy. 

Key words: World War I, Paris Conference, League of Nations, Versailles-Washington system, minorities, nation.

 

The article considers the Russophobic trend of neoliberalism. The main characteristics of Russophobia are studied, the conditions and factors that lead to the emergence of Russophobic attitudes are revealed. Russophobia is considered as a social phenomenon that has a negative impact on social and individual existence. Various "images" of Russophobia as an ideology, worldview, and social practice are shown. The demand for Russophobic discourse in modern socio-historical realities is traced. The phenomenon of "cancellation culture" is analysed.

Key words: neoliberalism, Russophobia, ethnocentrism, discrimination, national exclusivity, "culture of cancellation", ideologeme.

 

The article examines the phenomenon of xenophobia from the point of view of its social essence. The author analyzes the concept of xenophobia and its key aspects, as well as examines the factors contributing to the emergence of this phenomenon. The subject of the article is the social essence of this phenomenon, and the object is xenophobia. The conditions of the emergence of xenophobia are considered. The study examines different types of xenophobia, demonstrates their connection and mutual influence on each other. Xenophobia is explored in the context of the "us-them" binary. The influence of social differences, in-group and out-group interests on the content and social nature of xenophobia is analyzed. The risks of xenophobia caused by the intensification of globalization processes and the desire of ethnic groups to preserve locality are revealed. The methodological basis of the research is based on dialectical, systematic approaches, consideration of the problem in its specific historical context, in unity and comprehensiveness. The article presents new scientific ideas, and the issues under consideration are relevant, as xenophobia threatens the stability of society. The social nature of xenophobia is related to the exaggeration of social differences. Egocentrism and ethnocentrism in their negative manifestations form the basis of xenophobia.

Key words: globalization, xenophobia, social difference, egocentrism, ethnocentrism, in-group, out-group, identity, intolerance, discrimination.

 

The article, based on the materials of the author's research, substantiates that the digital Russian state includes such elements as a single portal of state and municipal services; a unified system of interdepartmental electronic interaction; a national platform for distributed data processing; a unified system of identification and authentication in the infrastructure that ensures information and technological interaction of information systems used to provide state and municipal services in electronic form; an information system of the main certification center; digital currency (digital ruble); artificial intelligence systems. It is concluded that the functions of the modern Russian state are: protecting sovereignty in the digital environment, representing the digital state of the real state in cyberspace, introducing technological innovations into the process of providing public services, simplifying organizational and managerial procedures, building numerous and diverse channels of interactive communication between the public and private sectors.

Key words: digital state, information sovereignty, electronic government, information and communication technologies, Russia.

 

For the last decades, the United States has been leading in trade in services. The share of trade in services has exceeded the share of trade in goods in the GDP of the United States. In the Russian Federation the active development of the service sector has begun fairly recently, yet nowadays the service sector has accumulated the greatest share in the country’s GDP. In turn, this indicates the increased role of the service sector in determining the foreign trade position of a country on the world stage and analyzing the opportunities for a particular country to further strengthen its position.

In the present article, the author examines the features and conducts a comparative analysis of the main indicators of export and import of services from the Russian Federation and the United States over the period from 2005 to 2023 based on the data from the International Monetary Fund (IMF).

Key words: balance of payments, export of services, import of services, exchange of services.

 

The article examines the problems of escapism in the context of the causes and consequences of the demand for strategies of escapist behavior. Because of this, the authors aimed to identify the factors contributing to the spread of escapism and individuals' commitment to escapist strategies in modern conditions, as well as to study the practices of their use 1) as a way out of a traumatic situation, 2) as a goal of moving social practices into virtual space, and 3) as a means of escape from reality. The complexity and multidimensional nature of the escapism phenomenon is explained by the interconnection of three components: the characteristic features of the modern era, provoking escapist tendencies, environmental conditions pushing the individual to break with it, and the properties of the personality itself, predisposed to prefer the strategy of escapism – and the presence of both positive and negative potential in it. The authors see the reasons for the increase in the number of adherents of escapism strategies in the complex interaction of these factors and the presence of ever-expanding opportunities to escape from reality. 

Key words: escapism, otherworldliness, hybrid space, virtual escapism, protest escapism, social escapism, inner escapism, hedonistic escapism, hikikimori.

 

Today, there is a need to review the materials of the creative heritage of talented playwrights, directors, and actors about whom there are touches, memories, and details that are orally transmitted as a kind of cultural code that carries the fundamental foundations of the spiritual and moral development of modern man. In which the basic components of a well-formed worldview of the main guidelines for the life of enduring human values must harmoniously exist. That is why the study pays considerable attention to the personality of Salakh Mukhutdinovich Khusnutdinov (author's pseudonym Salakh Khusni), one of the founders of the Puppet Theater in Kazan, a playwright, Honored Artist of the TASSR, Honored Worker of the TASSR, chief director of the Ekiyat puppet Theater, a man who raised the technology of working with a playing doll to a high level.

Key words: the nature of talent, the world of culture, creative heritage, the art of a playing doll, genre specifics, life material, documentary drama, memories of real heroes, spiritual development of the individual, value orientations.

 

Digital transformation has a profound impact on field research methodology, opening new opportunities for data collection, analysis and interpretation. The introduction of digital technologies allows researchers to use a variety of tools to conduct interviews, observations and experiments, inherently pushing the boundaries of traditional methods. The authors emphasise the importance of combining traditional scientific methods with new digital tools in order to maintain high accuracy and reliability of research results. Prospects for further development of field research methodology in the digital environment and possible challenges facing the scientific community are discussed.

Key words: ethnography, field research, methods, methodology, digitalisation, online research, Internet, netnography.

 

In this article, the author conducts a study to identify problems related to the integration of candidate countries into the European Union. The relevance of the topic is conditioned by the growing international contradictions between long-existing and newly created unions of countries of different continents. This necessitates the identification of the reasons for the expansion of the European Union, as well as the identification of obstacles on the way to this. Therefore, the purpose of this work is to study the processes of solving problems by the European Union arising from the introduction of new integration requirements by countries that are official candidates for EU membership. In accordance with the goal, the following tasks were set: to identify and analyze the current position of the European Union in the international community; to analyze the current state of activity of candidate countries for membership in the European Union; to identify problems of integrating these countries into the European political space; to identify further trends in the development of the European Union. It is worth noting that as a result of the study, it was revealed that the turning point leading to the continued expansion of the EU was 2022, in which four more countries joined the candidate countries: Bosnia and Herzegovina, Georgia, Moldova and Ukraine. Another application for this status from the Autonomous Republic of Kosovo, formerly part of Serbia, is currently under consideration. Despite the fact that all the countries under consideration are in close cooperation with each other in one way or another, being located on the territory of Europe, each of them has its own characteristics, as a result of which the European Union faces new requirements for the integration processes of states planning to join it. For example, the situation with Ukraine is complicated by the conflict between it and Russia, and the situation with Kosovo is complicated by the conflict between the republic and Serbia. All this causes a number of certain difficulties, as a result of which either a synergistic effect will be achieved between the countries, or this will lead to the destruction of the established system and the termination of cooperation altogether. 

Key words: European Union, integration of countries, EU candidate countries, requirements of countries for integration, EU and integration of countries, integration process, integration.

 

The article is devoted to the study of the importance of visual communication in news media as a key factor in successful interaction between different cultures. In the context of globalization of information flows and diversity of cultures, visual elements are becoming a universal language that is able to overcome language barriers and create a common space for dialogue.

The research is based on theoretical analysis and empirical data collected through content analysis of the world's leading news publications. Special attention is paid to the main types of visual media, such as infographics, photographs, video materials, as well as their ability to convey complex ideas and emotions. The article examines examples of successful intercultural communication achieved through well-used visual information, and provides a comparative analysis of the effectiveness of visual media in various cultural contexts.

In addition, the study addresses issues of ethics and interpretation of visual content, emphasizing the need to take into account the cultural characteristics and sensitivity of the audience. The article offers recommendations on optimizing visual content in news reports, taking into account cultural diversity, which can contribute not only to increasing the level of intercultural understanding, but also to the competitiveness of media in the global arena.

Thus, the presented work expands the academic understanding of the role of visual communication in news, offering new perspectives for media studio researchers, cultural scientists and communication professionals.

Key words: visual communication, interculturalism, news media, culture, visual images, infographics, globalization, cultural exchange, media impact, visual content.

 

Machine translation has advanced significantly in recent years, thanks to neural networks and artificial intelligence, resulting in improved translation accuracy, especially for simple and medium-sized texts. However, there are still significant challenges when translating literary works and culturally specific texts, as in the case of Russian and Chinese. Cultural differences between languages as well as the influence of context on translation accuracy remain a significant challenge. Specific cultural elements such as religious terms, historical references or social nuances are particularly difficult for a machine to convey, often resulting in a loss of meaning or distortion of the text.

Key words: machine translation, translation accuracy, cultural differences.

 

The problem of measuring the role of globalization in the space of international relations, including on a supranational scale, remains relevant to this day. Globalization as a process of integration of societies and economies has influenced the development of the sphere of international relations. Although globalization has allowed the development of new theories of international relations, American theories remain the main and basic theories that describe world events and international relations in general. Globalization, which refers to the ongoing integration of countries around the world, is now widespread around the globe. This complex process involves the interaction of capitalism and democracy and has various advantages and disadvantages. It can both empower and disenfranchise individuals and communities. Therefore, American theories such as liberalism, realism, and constructivism remain basic theories on which new theories are superimposed. For example, classical realism, originally from England, is closely related to the theory of American realism. In addition, in the 20th century, the theory of Marxism, which originated in Western Europe, became widespread. Thus, despite the fact that, thanks to globalization, theories of international relations have begun to develop on other continents, American theories of international relations remain fundamental. 

Despite the apparent tendency towards disintegration processes in global interaction, the interdependence of countries from each other in the global perspective is beyond doubt. This also applies to aspects related to the integration of States on a subregional scale. This topic is especially relevant in the context of conversations about the information security of states in the context of cyber threats and the significant role of ICT in the life of modern society. The work focuses on such sub-regional organizations as the SCO and the CSTO in the context of the challenges of globalization, which results in the unlimited dissemination of information.

Key words: sub-regional organizations, globalization, international relations, political realism, liberalism, globalism, constructivism, SCO, CSTO.

Agirbov T.R., Student of the North Caucasus State Academy.

Agirbov T.A., Student of the North-Caucasus state academy.

Akulich E.M., Doctor of Sociology, Professor, Head of the Department of Social and Cultural Activities, Cultural Studies and Sociology, Dean of the Faculty of Social and Cultural Technologies. Tyumen State Institute of Culture, Tyumen.

Asiguli Ahemula, College of Chinese Minority Languages and Literature, Minzu University of China, Beijing, China.

Dayanova D.P., PhD, Associate Professor. Kazan Federal University, Kazan.

Dediu E.I., Senior Lecturer, Kaluga State University.

Dorokhova N.A., Bachelor's student, MGIMO University.

Feng Shilin, Herzen Russian State Pedagogical University.

Filimontseva E.V., Teacher. Tyumen State Institute of Culture, Tyumen.

Filyushkina D.V., Doctor of philosophy, Associate Professor, Humanitarian Institute Federal State Autonomous Educational Institution of Higher Education North Caucasus Federal University.

Gavrilyuk N.P., Candidate of Historical Sciences. Director of the «Buzeon» museum LLC «Polotnyany Zavod Paper Manufacture».

Kabanov A.M., Associate Professor. Ural Federal University named after the First President of Russia B.N. Yeltsin. Ural State Mining University. Non-state private educational institution "UMMC Technical University".

Kalabekova S.V., Candidate of Philosophical Sciences, Associate Professor of the Federal State Budgetary Educational Institution of Higher Education of the North Caucasus State Academy.

Kalinin V.V., Candidate of Pedagogical Sciences, graduate student. Saratov Chernyshevsky State University (SGU), Saratov.

Kachkovskiy S.S., National Research University Higher School of Economics. Entrepreneur, management consultant.

Konstan P.K., Postgraduate student, Peoples' Friendship University of Russia.

Lian Liu, Lecturer. Heihe University, Heihe, Heilongjiang, China

Ling Tong, 1st year postgraduate student. Vladivostok State University, Vladivostok.  Guangzhou Academy of Fine Arts, Guangzhou, China.

Liang Zhenying, 1st year postgraduate student. Vladivostok State University, Vladivostok.

Lukina A.G., Doctor of Art History, Professor of Choreography Chair, Honored man of art, Arctic State Institute of Arts and Culture, Yakutsk.

Napso M.B., Doctor of Law, Associate Professor, North Caucasus State Academy.

Napso M.D., Doctor of Sociological Sciences, Professor of department of humanities sciences, North-Caucasus state academy.

Nevraeva N.Y., Senior lecturer. Ural Federal University named after the first President of Russia B.N. Yeltsin.

Petrova S.I., Candidate of Cultural Studies, Associate Professor. Academy of Marketing and Social and Information Technologies.

Pyrkova T.A., Candidate of Pedagogical Sciences, Associate Professor of the Ural Federal University named after the first President of Russia B.N. Yeltsin.

Safonova E.A., Applicant for the academic degree of candidate of sciences of the Lugansk State Academy of Culture and Arts named after Mikhail Matusovsky (LPR, Lugansk), master of theater arts, artistic director of the Fortuna Theater, deputy director of the Educational Center Polet (Moscow Region).

Salyakhutdinov V.F., Postgraduate Student of the Ufa State Petroleum Technological University, Ufa.

Saratovskii S.V., Candidate of Pedagogical Sciences, Graduate Student. Saratov Chernyshevsky State University (SGU), Saratov.

Savostyanova L.V., Postgraduate student. Manager of the museum and excursion services department of the Dyulber Palace in Koreiz, Yalta, Republic of Crimea. Crimean Federal University named after V.I. Vernadsky.

Sorochan V.V., Candidate of Physical and Mathematical Sciences, Associate Professor. Engineering and Technology Institute of Kaluga State University named after K.E. Tsiolkovsky.

Yatsenko O.Y., Candidate of Pedagogical Sciences, Associate Professor of the Ural Federal University named after the First President of Russia B.N. Yeltsin.

Zhang Kai, Master's Student, Ural Federal University named after the first President of Russia B.N. Yeltsin.